ilha paqueta

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On Thursday, July 16, 00 I was invited to a cocktail party at the Brasillian consulate in downtown Miami. While there I was seeking to one of the consuls and he pointed out a painting by Lia Miharakis called Illhia Paqueta 11, at the time he told me that Miharakis had made too similar paintings Illhia Paqueta, and Illhia Grande. The consul went on to tell me that Illhia Grande, had appeared on the cover of Time magazine a few years back, and that got me really interested in this work. This painting is one of those pieces that really move you; it definitely lightened the mood in the room that it was in. At first sight Illhia Paqueta seems very complex, with its different tones and shades of color, however it is a very simplistic vision of an ideal existence in south eastern Brasil. The painting is oil on canvas and it is medium sized at 1 x ½, the size of this painting is perfect.

Illhia Paqueta is an island in the south eastern coast of Brasil, to be more precise, it is off the coast of Rio de Janeiro. The island it self is only accessible by boat, helicopter, or seaplane, however it is one of the more populated islands in the region. I myself spent much of my early- mid childhood going to the island; my father would take my family there on our boat just about every weekend. The funny thing is that this painting was finished in the year 11, which is a whole lifetime (70 years) before I was born, and going by his painting I could swear that the place has not changed at all. The painting depicts the beautiful bay that is the main entry point to the island; Miharakis did a beautiful job in painting the local environment, as well as a very large number of people (probably exaggerated).

In this piece Miharakis uses many “tricks” to lure the viewer into this environment. When you first look at this work your eye is automatically pried to the top right corner, because of the bright yellow color that he uses for his leafs. Then your eye is taken back toward the left along the upper most tree line, and then back down the left side. All the while she’s put all kinds of gorgeous plant life, mixed with some houses in the background. When your eyes finally come across the bottom part of the painting, that’s when you realize that no matter what happened in the past, at this moment the people pictured in this piece, are genuinely happy, and full of life, it really makes you want to be there, on that day with those people.

This painting not very balanced, for you have lot more things going on in the upper part of the painting then on the bottom, such as most of the people, all the foliage, the houses, and some wildlife Were as the bottom of the painting, consists mostly of lighter colors, with the water, as well as some people. However if the viewer sees this picture from right to left then it is very balanced in that sense, because Miharakis evenly distributed the objects/colors. Miharakis also uses a lot of repeating shapes such as ovals for the leafs, triangles for the roof tops, and rectangles for the walls. The use of depth in this painting is great, Miharakis put trees in either side that are much bigger that the people and houses in the back, there by giving the viewer a sense of depth.




I really loved this piece, I thought that it was very well made, and it looked as if Miharakis put a lot of work into this piece. Illhia Paqueta is not a painting of what an ideal person would look like, but of what an ideal day would look like, because the people are really just part of the back ground. This painting really should be in a museum, because it really is an experience, with the power to sooth your soul, and lift your mood. Finally I was happy to have had this experience, and I feel lucky to have seen this piece.



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