Art and Augustus

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Chapter four of Cole’s The Informed Eye discusses the role art plays in the demonstration and symbolization of power. In it, Cole talks about various pieces of art from ancient times that reflect the power certain individuals had that the artist tried to convey to the audience. Though there are often glorified depictions of the individuals, they are images of perfection in art because they artist is attempting to uphold their reputation and stature.

The best demonstration of this is Cole’s observations on the statue “Augustus of Prima Porta”, which is displayed on page 4. Augustus is portrayed as a young, handsome, nobleman in this art, though “he was approximately 50 fifty years old when the statue was carved” (5). Suentonius, a Roman historian, gave a description of Augustus that was anything less than glamorous. In my opinion, Augustus sounded very unattractive. However, the artist chose to depict Augustus as a young, strong, attractive individual.

Cole points out how movement is created in the piece, but he also highlights the symbolism used in statue itself. Next to Augustus’ feet is a small cupid riding a dolphin, which Cole says “are both references to Venus, who is the mother of Aeneas, a mythical ancestore of Augustus’ family and one of the principal founders of Rome”(6). He then points out the statue is barefoot, which symbolized divinity or immortality in Roman times.

Art can be used for many different purposes, but from this chapter in The Informed Eye, it is clear that it can also create idealized forms of people. Augustus was portrayed as someone everyone would like to be and someone everyone would like to follow- a man who is smart, successful, powerful, divine, and easy on the eyes. It helped to glorify the role of a leader and elevate their level of importance on a culture or a group of people. Augustus could afford to have such artwork of himself made to help amplify his power and achievement as a leader of Rome.






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