getty

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The J. Paul Getty Museum is filled with many different photographs,


portraits, and large sculptures that show just a piece of what the art was


like in Greece. With the mass of overwhelming artifacts many of the


smaller, more hidden pieces are lost among the larger and more predominant





figures.


The most impressive piece is not in plain sight but around a corner on a


side wall. This artifact is a medium sized stone coffin that makes up


for its size in its sheer beauty and magnificence. The stone coffin has


many mysteries as it does not even have a name, and is only referred to


as the front of a sarcophagus. The year is also a mystery, and is


approximated to date back to around 100 B.C., which is when grave


relief’s became popular ( ). This coffin is not similar


to any coffin today, as it is a very intricate and detailed sculpture


that tells a story. The story is of Endymian and his lover, the moon


goddess, Salene, in which Zues allowed Endymian to choose his own death.


Endymian chose eternal sleep, which is now how death is viewed by many.


Although, the story is carved on a grave relief, it celebrates life and


the important things in life. It created a detailed picture connecting


humans, animals, and the gods into one grand scene that would be put into


the ground for nobody to see.


The front of the grave relief depicts the people as happy, living


creatures rather than somber and deceased. The Athenians did morn their


dead, but they found it a greater quality to celebrate peoples’ lives.


They believed very much in an afterlife and that dying wasn’t a horrible


thing. They did not say goodbye forever to the dead, instead they knew


they would meet again in the afterlife. This is shown very well in


another grave of Philoxenos with his Wife, Philoumene, in which they are


shaking hands symbolizing their goodbye, but also symbolizing their


future reunion in the afterlife ( ). In the unnamed grave


Endymian and Salene, as humans, were sculpted with great detail from


their facial expressions to their footwear. This showed their importance


to each other and to life itself, although, they were not the only


important figures in life.


The animals, such as lions and horses, were crafted with this same great


detail as the humans. This showed how highly Athenians viewed the life


that existed outside of the human race. They knew that the animals and


nature were an intricate part of living and of a successful life. The


mane and facial expressions of the horses gave them as much as emotion as


either Endymian or even Salene, who was a goddess. Proving the idea of


equality for all aspects of the world. Humans, nature, and the gods


combined together to create a full circle and a complete life.


The heavens were the final piece of the circle as they were highly viewed


and respected in Athens. Life could not be complete without such


beliefs. They knew the importance of religion and believing in the gods


and goddesses. These predominant figures made success in life possible.


Religion connected humans to one another rather than separating them


apart. In years to come after this period wars would been fought over


religion. This caused religion to help separate and secluded humans from


each other which was the opposing affect it was intended for. Athenians


were connected to each other through religion and nature. Without either


aspect Athenians would not have viewed their lives as fulfilling or


important.


Nature, religion, and people themselves were on equal levels with each


other in Athens. They shared the world with nature, their ideas with


each other, and their beliefs with the gods and goddesses. They gave


everything to better the world rather than to better themselves. They


did not create these masterpieces of art to glorify themselves, but to


rather glorify the period as a whole. This is why a piece of a coffin


exemplifies Athenian life. All the pieces are connected together showing


how nature, humans, and the gods were interweaved together in life. The


artist will probably never be recognized or honored, however, this was


not important to him or her. Instead it was important to create the


grave relief for the sheer art and to pass the deceased onto the


afterlife in beauty.





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